Three quilts were included in a larger collection of 18th- and 19th-century household and costume items donated by John Brenton Copp of Stonington, Connecticut.
From this early beginning, the collection has grown to more than 500 quilts and quilt-related items, mainly of American origin, with examples from many states, including Alaska and Hawaii.
Beginning with her first purchase in 1973 of a quilt top at a flea market, Gross amassed a historically important collection.
As she collected quilts and became acquainted with quilters, Gross began to share her love of the art with the public by organizing quilting tours throughout the nation; hosting her celebrated annual quilting retreat in Point Bonita, California; and founding and publishing the from 1977 to 1987.
Most of the contributions have come to the Museum as gifts, and many of those are from the quilt-makers’ families.
The collection illustrates needlework techniques, materials, fabric designs and processes, styles and patterns used for quilt-making in the past 250 years.
Includes more than 170 quilts by American quilters from the late 1930s to 2002, including Pine Hawkes Eisfeller's (1939). Each quilt has been assigned an item number, and the notebook contents are ordered numerically.
The system unveiled here for dating heirloom quilts is based upon five characteristics -- fabric, style, color, technique, and pattern.The close of the 19th century saw the upsurge in popularity of Victorian Crazy Quilts, those wonderfully exuberant creations of silk, velvet, ribbons and all manner of embellishments.Click on the pictures below to see more views of my 18th & 19th Century Antique Quilts.These quilts were produced starting in the mid 80’s so they are starting to show up at estate sales across the country.People who buy up estates assume that if a quilt has hand stitching and is found at an estate sale it must be old.